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Self-made man – Wikipedia
A "self-made man" (later expanded to include "self-made women") is a classic phrase first coined on February 2, 1832 by United States senator Henry Clay who referred to the self-made man in the United States senate, to describe individuals in the manufacturing sector whose success lay within the individuals themselves, not with outside conditions.
Top 10 Greatest Sculptures – Listverse
Made in the 1440’s, by Donatello (1386-1466), Bronze David is one of the most famous sculptures today. It is notable as the first unsupported standing work in bronze cast during the Renaissance period, and the first freestanding nude male sculpture made since antiquity.
Famous Sculptors | List of the Top Well-Known Sculptors
List of famous sculptors, with photos, bios, and other information when available. Who are the top sculptors in the world? This includes the most prominent sculptors, living and dead, both in America and abroad.
25 Greatest Self-Made Men in History | The Art of Manliness
Frederick Douglass, a self-made man himself, said the discussion of self-made men was the discussion of “manhood itself, and this in its broadest and most comprehensive sense.” Douglass sensed that the story of the self-made man is the story of manliness personified.
Famous Self Portraits that Changed the Face of Art | Widewalls
From novice to master, nearly all artists have attempted some form of a self-portrait at some point in their career. Famous self-portraits created by most prominent figures throughout the history of art are a testament of this genre’s versatility.
Self-portrait – Wikipedia
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work.
Sculpture | Encyclopedia.com
SCULPTURE. SCULPTURE. By 1500 in Italy, the recovery of classical antiquity permeated all aspects of art and culture. In Padua, Mantua, and Florence, sculptors like Riccio, Antico, and Verrocchio revived the small bronze in exquisite tabletop figures of satyrs, gods, goddesses, emperors, and heroes of ancient Rome that evoked the ethos of antiquity.